
A 2016 Sundance Festival and Toronto Film Festival selection, writer and director Kelly Reichardt’s new film CERTAIN WOMEN flounders through a slow rumination on small-town American life.

CERTAIN WOMEN is a three-pronged narrative. Firstly arrives Laura (Laura Dern) whose law practice gives her little voice until a rogue client Fuller (Jared Harris) pulls her into his crazy world. Next is Gina (Michelle Williams) who is fixated on buying some local sandstone to begin work on a new house with her husband Ryan (James Le Gros). The connection? Ryan and Laura are having an affair. The third story centres on a horse ranch hand who remains nameless played by Lily Gladstone. She wanders into a school law class taught by Elizabeth (Kristen Stewart) and the two begin a friendship.
As an American it is fascinating to experience this film in London. CERTAIN WOMEN opens with a long take of a train chugging through desolate scenery. Reichardt seems obsessed with transportation. Americans reliance on cars for mobility, a theme she thoroughly beats down in her film WENDY & LUCY. I would be remiss not to point out that the film’s reception here in the UK has far surpassed that in the US – where it made hardly any noise at all. Maybe it is a yearning to understand the heartland of America and the quiet lives led in Montana? I cannot say, but it hardly kept my attention.
CERTAIN WOMEN is in theatres in the UK (including The Ritzy Cinema) on 3 March.
Nicola Jones is a freelance writer whose website
covers film reviews, trailers, and industry news. She can be found tweeting @MzJones.